‘Tis The Season Of Firsts: December Classical Music Premieres Through The Years
The holiday season has always been popular for introducing new works, including many of the most popular in the canon. Some are obvious: J. S. Bach’s Christmas Oratorio (1734 and 1735); Engelbert Humperdinck’s Hansel and Gretel (1893); Nikolai Rimsky-Korsakov’s fairy tale opera Christmas Eve (1895); and Gian Carlo Menotti’s pioneering Christmas opera for television, Amahl and the Night Visitors, which premiered on NBC Television on December 24, 1951.
Bernard Herrmann, a composer you may recognize from memorable scores for Alfred Hitchcock movies, also wrote a seasonal opera for television. A Christmas Carol, based on Charles Dickens’ novella, received its first performance on CBS on December 23, 1954.
And of course, there’s The Nutcracker, that magical ballet with score by Tchaikovsky, which premiered in Saint Petersburg (to decidedly mixed reviews) on December 18, 1892.
However, the list goes well beyond those iconic works. Verdi realized a great success with the introduction of his grand opera, Aida, on Christmas Eve, 1871, in Cairo. Puccini entrusted the premiere of his Il Trittico (replete with Lauretta’s exquisite aria, “O mio babbino caro”) to the Metropolitan Opera in New York on December 14, 1918.
But in Italy, it was the day after Christmas that proved to be extremely popular for premieres. Why? For more than two centuries, Italian authorities, working in concert with the Catholic Church, banned the performance of any secular stage entertainment during Advent, the season that leads up to Christmas. So December 26 effectively became the start of the second half of Italy’s theater season. Two of the giants of the bel canto era had major operas introduced on the day after Christmas: Gaetano Donizetti’s Anna Bolena in 1830, and Vincenzo Bellini’s Norma in 1831.
However, that aspect of their resumes pales by comparison with their contemporary, Rossini. He had five different (lesser-known) operas introduced in three different cities over a span of six years, all on December 26.
Other major composers had new compositions introduced during the holiday season. Henry Purcell conducted the premiere of his finest stage work, Dido and Aeneas, in London on December 30, 1689. The fourteen-year-old Mozart confirmed his status as a child prodigy with the initial staging of his serious opera Mitridate, re di ponto in Milan on the day after Christmas, 1770.
Likewise, Dmitri Shostakovich, whose Katerina Ismailhova (the revised version of his earlier Lady Macbeth) first came to the stage on December 26, 1962. The witty, satirical Lieutenant Kije film suite by his countryman, Sergei Prokofiev, received its first public hearing on December 21, 1934.
Other Yuletide Premieres:
Claude Debussy’s seminal essay in Impressionism, Prelude to the Afternoon of a Faun (1894); John Philip Sousa’s patriotic march, The Stars and Stripes Forever (1896); On the Town, the Leonard Bernstein-scored musical that put him on the map as a composer (1944); and Johannes Brahms’ magnificent Violin Concerto, given its premiere by the legendary Joseph Joachim on New Year’s Day, 1879.
One of the more popular Spanish zarzuelas, El pavo de Navidad (The Christmas Turkey), received its first staging in Madrid on Christmas Eve, 1866. John Adams, the Pulitzer Prize-winning American composer so closely associated with minimalism, took the wraps off his seasonal opera, El Nino, in Paris on December 15, 2000.
Finally, a radio note. The very first live broadcast of a complete opera performance in the United States emanated from the Met on Christmas Day, 1931 (Hansel and Gretel).
Here’s hoping your holiday season is blessed with the gift of music.
The Shepherd’s Chorus and Dance from Menotti’s Amahl and the Night Visitors (NBC, 1978):
November 11 marks the centennial of the end of World War I, otherwise known as the “Great War” and the “War to End All Wars.” Simply put, it was a cataclysm, a conflict that marked a threshold in modern history. In the world of classical music, composers responded in many different ways. Continue Reading Finding Inspiration Amidst Chaos: Classical Music Of The First World War
The first known photograph of Leonard Bernstein (left) as a conductor, taken at a summer camp on 1937. CREDIT: Library of Congress, Music Division “Moynik!”… Continue Reading Leonard Bernstein: How ‘Noise That Keeps People Awake At Night’ Helped Ignite A Brilliant Career
Let’s face it. Paul Rudd has an ageless, amiable persona which translates perfectly to the big screen. It served him and the story really well in the first Ant-Man movie (2015). He’s now back as ex-thief Scott Lang, joined by Evangeline Lilly (Hope Van Dyne/Wasp), Michael Douglas (Dr. Hank Pym), and Laurence Fishburne (Dr. Bill Foster). However, there’s a fundamental problem this time. The freshness is largely gone, and the visuals are significantly more clever and amusing than most of the dialogue. Continue Reading FILM REVIEW: Style Over Substance In ‘Ant-Man And The Wasp’