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No lautenwerks survived the 19th century. Picture extremely delicate harpsichords — in fact, lautenwercks are alternately called lute-harpsichords. Their strings are made of guts, originally from sheep (like lutes), which gives lautenwercks a warm, intimate tone distinct from brassy, metal-strung harpsichords.
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The Washington Post's Philip Kennicott suffered his mother's harsh words and actions throughout childhood. His book is partly a need to acknowledge her "sadness and anger and unaccountable rages."
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The irrepressible harpist proves that the instrument can be as tempestuous as a tango, as complex as a Bach fugue and sing as serenely as a church choir.
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On his new album titled c.1300-c.2000, the pianist begins with a medieval song by Machaut and ends with an étude by Philip Glass.
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The mayor of Cremona, Italy, blocked traffic during five weeks of recording and asked residents to please keep quiet so master musicians could play four instruments — note by note — for posterity.
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Although Johann Sebastian Bach was probably no tap-dancer, he did know something about dancing. The gigues, menuets and courantes that populate his various suites are, essentially, stylized dance movements that can leap off the page in a good performance.
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If the celebrated cellist could soundtrack his life, the music would be J.S. Bach's six Cello Suites. Yo-Yo Ma explains why they mean the world to him while he played the music at the NPR offices.