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                        The Philadelphia Orchestra has shuttered its doors in the face of the COVID-19 pandemic. Conductor Yannick Nézet-Séguin reflects on their final performance — streamed for people at home.
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                        Early American composers could have shaken off their European sound and mined the rich trove of African American music. They didn't. And one historian believes we're worse off because of it.
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                        The women — eight singers and a dancer — told The Associated Press that the opera titan tried to pressure them into sexual relationships by offering them jobs.
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                        Nézet-Séguin uses every part of his body when he conducts — including his eyes, eyebrows, shoulders and feet. He's the music director at New York's Metropolitan Opera and the Philadelphia Orchestra.
 
!["This was one of the most memorable [performances]," conductor Yannick Nézet-Séguin says of the Philadelphia Orchestra's March 12 concert, played to empty hall. Courtesy of the Philadelphia Orchestra](https://npr.brightspotcdn.com/dims4/default/030725a/2147483647/strip/true/crop/1438x801+0+138/resize/280x156!/quality/90/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2Flegacy%2Fwp-content%2Fuploads%2F2020%2F03%2F20200312_vh-3-c9a7692284640349eb2b64a6172278c5386f8bb3.jpg) 
 
 
