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(Runtime 1:06) The long tradition of watching The Bard’s tales in the outdoors returns in August to two locations in Eastern Washington. Shakespeare In T…
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Thousands of theaters world-wide will perform the same musical revue this weekend. “All Together Now” will be performed at 2,500 theaters including some in Prosser and Richland.
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Every year, as a set-up for the Tony Awards, we take you backstage to meet people who aren't even eligible. These are Broadway's essential workers – ushers, stage managers, costumers. But this year, the Tonys seem like a faraway dream; even though nominations for the shortened season were announced in October, no date has been set. So, I decided to check in with some of those essential workers I've interviewed before, to find out how they've been coping since theaters closed.
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On Jan. 25, 1996, a new rock musical by a little-known writer, Jonathan Larson, gave its first performance. Friends and family filed into a small off-Broadway theater to see Rent. The show was a retelling of La Boheme, set on the Lower East Side of New York, as people were dying of AIDS. It became an international phenomenon, winning the Pulitzer Prize and Tony Award, among others, but the performance almost didn't happen. Early that morning, Larson died of an aortic aneurysm. I spoke with some of the people who were there that night.
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In normal times, audiences would be flocking to theaters for Christmas productions right now. But 2020 is anything but normal — especially when it comes to holiday traditions.
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The Journey is an ingenious use of a virtual performance space. Silven invites 30 audience members to travel to his childhood home in Scotland where they interact in amazing feats of magic.
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When Jessika D. Williams takes the stage as Othello, she sometimes doesn’t know if she’s reacting as the character or herself. Williams, 35, has never felt this way in a role. But playing Othello as a Black woman amid nationwide protests against systemic racism, she sees parallels between racism in the play and in real life.
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It's hard to predict exactly how theater will come back after the pandemic, but here are a couple guesses: Fewer crowds, more collective imagination, and a focus on racial and environmental justice.
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Lorraine Hansberry's play is about a Black family's struggle against racism in 1950s Chicago. At the Beijing People's Art Theatre, director Ying Da is working to bring that story to Chinese audiences.
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A new documentary catalogs the rise of Lin-Manuel Miranda, Christopher Jackson and other members of the hip-hop group Freestyle Love Supreme in the mid-2000s before they became famous on Broadway.