It may well become the most discussed line of dialogue in any movie released this year. A line we don’t actually hear, by design. A line delivered by a rather unlikely “character.” A climactic moment in Steven Spielberg’s latest speculative drama–a picture unrelated to Dan Farah’s unconvincing 2025 documentary The Age of Disclosure.
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So, you probably wouldn’t think of pondering eternity as a casual, much less comedic, exercise. Yet that’s what you get in Eternity, which wants to balance fantasy, romance, pathos and humor.
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In writer-director Chloé Zhao’s heartbreaking new film, love is transformed twice, first by grief and then by art. It’s an exquisite conceit, thoughtfully realized and superbly acted.
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Luca Guadagnino makes impeccable movies. No matter what their relative merits, every aspect of his work reveals conscious, detailed choices. No matter how complex the emotions of his characters, his direction exhibits a distinct vision.
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This Disney project has been fifteen years in the making, renewing a franchise spawned in the 1980s.