Music & Culture

Classical Music Posts

King Richard

Reeder’s Movie Reviews: King Richard

Twenty years ago, Will Smith accepted the challenge of portraying a living legend, and arguably reached the zenith of his acting career, in Ali. In his latest film, he plays the obsessive, controlling father of sibling tennis phenoms in King Richard. It marks another high point for him.

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C’mon C’mon

Reeder’s Movie Reviews: C’mon C’mon

The writer, director and graphic artist Mike Mills loves to explore family. His own family, to be precise. In Beginners (2010), for which the late Christopher Plummer won an Academy Award, Mills dramatizes his elderly father’s gay relationship with a much younger man. In 20th Century Women (2016), for which Mills himself earned an Oscar nomination for Original Screenplay, he focuses on his mother, portrayed by Annette Bening, and her unconventional lifestyle as a single mom in late 1970s California. Of course, the characters of Oliver and Jamie in those films serve as Mills’ alter egos. His latest project, C’mon C’mon, is the most existential and least coherent in his trilogy (to date), despite its many strengths.

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Reeder’s Movie Reviews: Belfast

“The Irish are built to leave,” as one character ruefully observes in Sir Kenneth Branagh’s new film, his twenty-second behind the camera. Indeed, many have departed the home soil, but their abiding attachment to it has prompted a wealth of insight and inspiration. You can add Belfast to the mix.

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Reeder’ Movie Reviews: Dune: Part One

The risk of the project was destined to match the scale of journalist-turned-author Frank Herbert’s Dune. Denis Villeneuve’s conception has arrived in theatres (and HBO Max), and its sequel has already been greenlighted by Warner Bros. After two viewings, his intentions have become more clear and convincing.

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last night in soho

Reeder’s Movie Reviews: Last Night in Soho

“I’ve got this kind of gift. I can see people, places. Things others can’t.” Eloise (a wide-eyed Thomasin McKenzie) can, indeed, have experiences denied to others, especially when it comes to swinging London of the 1960s, her obsession. In Edgar Wright’s psychological thriller, her gift becomes a nightmare.

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