Arts

The Arts

The finale piece in Dorothy Anderson Wasserman's exhibit "The Carnival of the Animals," at Gallery 110 in Seattle. Photo by Lauren Gallup.

‘The Carnival of the Animals’ comes to life this October in Gallery 110

Four walls of Gallery 110 in Seattle have been transformed with dancing animals displayed within colorful, boxed scenes that jump to life against the otherwise white space.
They are sculptures of human dancers, costumed like animals, the ensemble of Dorothy Anderson Wasserman’s latest exhibit, The Carnival of the Animals. It’s a study of music, dance, theater and visual art combined.

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Three Thousand Years of Longing

Reeder’s Movie Reviews: Three Thousand Years of Longing

Alithea Binnie, a scholar of mythology, believes in credibility. Then she encounters The Djinn, who spins fanciful and unreliable tales of lost love and palace intrigue. Her independence and his freedom become the themes of the fantasy-romance, Three Thousand Years of Longing.

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The Territory

Reeder’s Movie Reviews: The Territory

When evaluating a documentary, you might ask several questions. Does the film have a clear protagonist, or several? Does it have a compelling story and message? Does it have substance and depth? Has the director organized the material in a coherent way? In the case of Alex Pritz’s new movie, The Territory, the answers are a resounding “Yes.”

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In Conversation With Artists JW Harrington and Dorothy Anderson Wasserman

On the second floor of the Catholic Community Services building, there’s a hallway that has been transformed into an art gallery. The Tahoma Center Gallery on South Yakima Avenue is showing “Black and White, abstracted,” a collection of 23 paintings by Tacoma artist JW Harrington.
Harrington is a member of the Seattle artists’ cooperative, Gallery 110, and he and fellow cooperative artist Dorothy Anderson Wasserman walked Northwest Public Broadcasting through the space.

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