According to the real-life paleontologists, dinosaurs disappeared from Earth 66 million years ago. To judge by the sixth entry in the Jurassic Park franchise, its fresh story ideas have been exhausted as well. The original wonder has waned. Continue Reading Read More
For the longest time, it just wouldn’t fly. A sequel to Top Gun {1986), one of the highest-grossing movies of its decade. The movie that made the charismatic Tom Cruise box office gold. Even when the sequel finally came to fruition, the pandemic delayed its release by two years. Read More
The MCU (Marvel Cinematic Universe) made its debut fourteen years ago this month, as a glib and charismatic Robert Downey, Jr. established his superhero credentials as Iron Man. That universe has expanded steadily ever since, although in ways that could easily elude the geometrically challenged. Read More
If you’re a devoted fan of Downton Abbey, the global television phenomenon now back on the big screen, that line certainly rings true. Creator and writer Julian Fellowes, director Simon Curtis (the real-life husband of Elizabeth McGovern/Cora Grantham), a superb ensemble cast and composer John Lunn have crafted another period piece drama brimming with intelligence, Read More
Sometimes a filmmaker tells a story so dense, so deliberately ambiguous, so deeply rooted in symbolic imagery that you realize you’re either intrigued by and invested in the narrative or you’re utterly defeated by the process. The memory of Men, a hallucinatory study in toxic masculinity, will linger long after the closing credits. Read More
Robert Eggers has only made three feature-length films so far. Even as a modest body of work, they reveal a wealth of obsession and talent. Continue Reading Reeder’s Movie Reviews: The NorthmanRead More
Let’s start with the paradoxes. The latest film from Oscar- and Emmy-winning writer-director Aaron Sorkin boasts several. Its two protagonists don’t look all that much like the historical characters they portray (although Nicole Kidman with red hair comes pretty close). The female lead, a comedy legend, has very few funny lines in the story. And, although the movie has the Read More
Steven Spielberg’s latest picture arrives in theatres with not only the weight of history and expectation, but also the bittersweet memories of his father and the work’s lyricist. Arnold Spielberg, the film’s dedicatee, died in August, 2020, and Stephen Sondheim passed away last month. Read More
Twenty years ago, Will Smith accepted the challenge of portraying a living legend, and arguably reached the zenith of his acting career, in Ali. In his latest film, he plays the obsessive, controlling father of sibling tennis phenoms in King Richard. It marks another high point for him. Read More
The writer, director and graphic artist Mike Mills loves to explore family. His own family, to be precise. In Beginners (2010), for which the late Christopher Plummer won an Academy Award, Mills dramatizes his elderly father’s gay relationship with a much younger man. In 20th Century Women (2016), for which Mills himself earned an Oscar nomination for Original Screenplay, Read More
“The Irish are built to leave,” as one character ruefully observes in Sir Kenneth Branagh’s new film, his twenty-second behind the camera. Indeed, many have departed the home soil, but their abiding attachment to it has prompted a wealth of insight and inspiration. You can add Belfast to the mix. Read More
The risk of the project was destined to match the scale of journalist-turned-author Frank Herbert's Dune. Denis Villeneuve's conception has arrived in theatres (and HBO Max), and its sequel has already been greenlighted by Warner Bros. After two viewings, his intentions have become more clear and convincing. Read More
“I’ve got this kind of gift. I can see people, places. Things others can’t.” Eloise (a wide-eyed Thomasin McKenzie) can, indeed, have experiences denied to others, especially when it comes to swinging London of the 1960s, her obsession. In Edgar Wright’s psychological thriller, her gift becomes a nightmare. Read More
A movie review of The French Dispatch. Continue Reading Reeder’s Movie Reviews: The French DispatchRead More
Adam Driver, left, and Matt Damon in Ridley Scott’s “The Last Duel.” (Patrick Redmond/20th Century Studios) “If we don’t trust each other, this earth might as well be hell.” The words of the Priest in Akira Kurosawa’s landmark of world cinema, Rashômon, still ring true today. His kaleidoscopic tale of a rape and murder in… Read More
You could say that the gifted actor-writer-director Justin Chon’s new film, Blue Bayou, began in Vancouver, Washington. Five years ago, Adam Crapser, a native of South Korea given up for adoption in the United States at the age of three, was deported to his country of birth, because none of his legal guardians had ever… Read More
A movie review of The Many Saints of Newark. Continue Reading Reeder’s Movie Reviews: The Many Saints of NewarkRead More
A movie review of The Card Counter. Continue Reading Reeder’s Movie Reviews: The Card CounterRead More
Sometimes, movie plots don't have to fully explain themselves, or play out in strictly linear fashion, to succeed. Sometimes, a film's intelligence and atmosphere achieve the desired effect. Welcome to The Night House. Continue Reading Reeder’s Movie Reviews: The Read More
Reminiscence indulges in the well-established cinematic tradition of playing with our perception of time. The French pioneer Georges Méliès did it successfully at the turn of the twentieth century, and Christopher Nolan is doing it in our time. Continue Reading Read More
Trained assassins. Sins of the past and present. Double crosses. Exotic locales. Breezy banter. Name actors. Gaping plot holes. The Protégé has it all for you.
Continue Reading Reeder’s Movie Reviews: The ProtégéRead More
Steve reviews The Suicide Squad movie. Continue Reading Reeder’s Movie Reviews: The Suicide SquadRead More
NWPB's Steve Reeder review's Disney's latest, long awaited movie, Jungle Cruise. Continue Reading Reeder’s Movie Review: Jungle CruiseRead More